IndianSanskriti

Meaning of Different Colours in Hinduism

Colours play an important part in how we perceive and interact with the world. It seems that each colour emits specific signals that affect our mental, physical and psychological states.

It has now been proven that colours can dramatically affect moods, feelings and emotions to the point of increasing metabolism, raising blood pressure and even cause an eye strain.   Red, orange and yellow are known as warm colours that evoke feelings of warmth and comfort, but also of passion, anger and hostility. On the other hand, blue, purple and green are cool colours that bring calmness as well as feelings of sadness.

In Hinduism, colours play a very important role and have deep significance, transcending purely decorative values. Hindu artists use colours on the deities and their dresses signifying their qualities. Proper use of colours creates an environment, which should keep a person cheerful. Some of the main colours used in religious ceremonies are red, yellow (turmeric), green from leaves, white from wheat flour. etc.

RED:

Red indicates both sensuality and purity. In Hindu religion, red is of utmost significance and the colours most frequently used for auspicious occasions like marriages, birth of a child, festivals, etc. A red mark is put on the forehead during ceremonies and important occasions.

As a sign of marriage, women put red powder on the hair parting. They also wear a red sari during marriage. Red powder is usually thrown on statues of deities and phallic symbols during prayers. It is also the colours of Shakti (prowess). A red coloured dress is put on deities who are charitable, brave, protective, and who have the capacity to destroy evil. On the death of a woman, her body is wrapped in a red cloth for the cremation.

SAFFRON:

 The most sacred colour for the Hindu is saffron.  It represents fire and as impurities are burnt by fire, this colour symbolizes purity. It also represents religious abstinence. This colours connotation has a sacred meaning for the Hindu. It is the colours of holy men and ascetics who have renounced the world. Wearing the colours symbolizes the quest for light. It is the battle colours of the Rajputs, the warrior caste.

GREEN:

Green is a festive colour.  In Maharastra, it represents life and happiness.  Symbolizing peace and happiness, green stabilizes the mind; the colour is cool to the yes and represents Nature.

YELLOW:

Yellow is the colours of knowledge and learning. It symbolizes happiness, peace, meditation, competence and mental development. It is the colours of spring and activates the mind. Lord Vishnu’s dress is yellow symbolizing his representation of knowledge. Lord Krishna and Ganesha also wear yellow dresses. Yellow clothes are worn and yellow food is eaten at spring festivals. Single girls wear yellow to attract a mate and keep evil spirits away.

WHITE:

White is a mixture of seven different colours hence it symbolizes a little bit of the quality of each. It represents purity, cleanliness, peace and knowledge. The goddess of knowledge, Saraswati is always shown as wearing a white dress, sitting on a white lotus. The Brahmin is associated with white. Hindu religious leaders cover themselves with white ashes to represent their spiritual rebirth. White is also the colours of mourning. The other prominent deities would also have a touch of white on their dress. A Hindu widow would wear a white dress in mourning.

BLUE:

The Creator has given the maximum of blue to nature (i.e.) the sky, the oceans, the rivers and the lakes. The deity who has the qualities of bravery, manliness, determination, the ability to deal with difficult situations, of stable mind and depth of character is represented as blue coloured. Lord Rama and Krishna spent their life protecting humanity and destroying evil, hence they are coloured blue.


Three Gunas, Three Colours, Three Goddesses

In the Bhagawad Gita, the Lord describes the three Gunas, their qualities and expressions:

Purity, passion and inertia – these Gunas, qualities, O mighty-armed, born of Prakriti, bind fast in the body of the embodied, the indestructible. (XIV/5)

Knowledge arises from Sattva; greed from Rajas; heedlessness, delusion and also ignorance arise from Tamas. (XIV/17)

All creation is made up of the three Gunas. These three qualities that comprise and provide a balance to the natural world are symbolized by the colours, white, red and black. Sattva, harmony and purity, is symbolized by white; rajas, energy and passion, is symbolized by red; and tamas, inertia and ignorance, is depicted by black.

You may also like

Search the website

Like us on Facebook

Get daily updates via Email

Enter your email address:

Recent Posts

Yogini Ekadashi 2026 — The Yaksha Who Missed the Morning Flowers, and the Ekadashi That Undid His Curse

On Friday, July 10, 2026, the rare Krishna Paksha Ekadashi of Nija Ashadha arrives. The Padma Purana tells the story of Hemamali — the Yaksha gardener of Bhagavan Kubera in Alaka, whose single morning of distraction with his wife Vishalakshi cost him his form, his wife, and his celestial city. Cursed to wander the earth of Bharata as a leper for a long time, he was at last shown the way back by Sage Markandeya — a single sincere keeping of Yogini Ekadashi.

Jamai Shashthi 2026 — The Story of Maa Shashthi, the Cat, and the Wife Who Was Forgiven

Jamai Shashthi 2026 — The Story of Maa Shashthi, the Cat, and the Wife Who Was Forgiven

On Saturday, June 20, 2026, Bengali households across Bharata will welcome their married daughters and sons-in-law home for the legendary jamai-aador feast and perform the Shashthi Vrata. But behind the warmth lies a story most Bengalis know by heart and most non-Bengalis have never heard — the wife who stole the hilsa, blamed the cat, lost six sons to Maa Shashthi’s wrath, and was finally forgiven. The Vrat Katha, the vidhi, the mantras, and the deeper teaching.

Vat Purnima 2026 — The Wife Who Argued Yama Into Returning Her Husband’s Life

On Monday, June 29, 2026, women across Maharashtra, Gujarat, and southern Bharata will tie red thread around banyan trees and hear the story of Savitri — the wife who walked behind Yamaraja Himself when He came for her husband, and out-argued the Lord of Dharma into returning Satyavan’s life. The Mahabharata’s Pativrata Mahatmya Parva, the vrat vidhi, and why the banyan witnessed everything.

Nija Jyeshtha 2026 — The Real Jyeshtha Begins, and the Calendar Resumes

Nija Jyeshtha 2026 — The Real Jyeshtha Begins, and the Calendar Resumes

With Adhik Maas now closed on the Somvati Amavasya of June 15, the long-postponed festivals of Jyeshtha return — Vat Purnima (June 29, the Savitri-Yamaraja katha), Jamai Shashthi (June 20, the Bengali festival of Maa Shashthi), Sankashti Chaturthi (June 28), Yogini Ekadashi (July 10), and Devshayani Ekadashi (July 16, opening the four-month Chaturmas of Bhagavan Vishnu’s yoga-nidra). A guide to what the next four weeks hold and what the household that kept Purushottam Maas now carries forward.

The Closing of Purushottam Maas 2026 — Adhik Amavasya and the Sealing of the Month-Long Vrat

On Monday, June 15, 2026 — a rare Somvati Amavasya — the intercalary month that bears Bhagavan Vishnu’s own name comes to its close. The Acharyas teach that a vrat is not measured by its duration but by its closing. Here are the Padma Purana’s instructions for sealing the month-long Purushottam Maas vrat: the morning snan, the closing puja with the Vishnu Sahasranama, the day of dana, the Somvati Amavasya gift, and the final sarva-arpana — the offering of all merit at the feet of the Lord.

css.php